Endorsements

Rejoice! berni janssen's new book! This book is easy to love: its rugged, soft, deft, exact forms. Action is embedded in things; politics is stitched into the wind. Set against the bamboozle clatter of corpspeak and co-option. It's a beautifully grounded book and it's going to make trouble.

—Chris Mansell, Poet and Publisher

In a constant eddy of wind and water, janssen unspools a blistering attack on corporate Australia's public manipulations, elisions of truth and scientific spinning. Her tools, a menagerie of wind turbines and the humans living amongst them - Dan, Cassandra, Charles, Una, and others. These poems fashion an epic grid that electrifies you, big energy at its absolute finest.

—Kent MacCarter, Poet and Managing Editor, Cordite Poetry Review

A heady consciousness ride through the changing synergies of mind body space in the world, be it natural, or constructed. One of Australian’s treasures, berni janssen, a pioneering sound poet, is fully focused on the auditory as a means of experiencing the world. The voice of berni is loud and clear. She takes us with her into the auditory world as it is changing and asks us to reconsider "the strange echo chamber we live in."

—Dr Ros Bandt, International Environmental Sound Artist

There is no doubt in my mind that berni.m.janssen is a cultural icon for our people. The punter on the street might give me sideways glances for such a proposition, but it is only because they don’t know – not yet. But they will. You just can’t hide Janssen forever – she rings too loud. At the heart of between, wind and water resides a struggle that has been both a personal health battle and a communal fight to be heard. The text delineates battle lines around wind turbines in regional Victoria, and I am reminded that the conflict between the overlords and the proletariat is universal and unending. It will never cease: What is this wheel in which we turn?

—James Hullick, Musician, Sound Artist, Artistic Director, JOLT Arts, aka )-(u||!c|<


Reviews

FIVE STAR REVIEW. berni m janssen through an extraordinary series of poems that are both riveting and deeply saddening shares the stories of the people living in an idyllic country area into which wind turbines are erected. The world of nature, birds, trees, flowers as well as wind, water and dust come to life, while the world of those subjected to the body-grinding low-pitched sounds through so many sleepless nights fall apart. berni m janssen is a highly respected performance poet and her starkly visual and visceral poems will leave audiences writhing in disbelief.

—bookshout

What an extraordinary book! This is, to my knowledge, the first book-length poetical response to the contentiously medical impact of wind turbines: “between wind and water” (with the subtitle “in a vulnerable place”) could be a poet’s rendering of the expression “between a rock and a hard place”; that is, being in a difficult situation...

As Lawrence Ferlinghetti said (himself a poet and editor at City Lights Books), the “function of the independent press (besides being essentially dissident) is still to discover, to find the new voices and give voice to them”. Spinifex continues this tradition, and janssen continues the tradition of some of Australia’s best contemporary poets, like joanne burns, Ania Walwicz, Ali Cobby Eckermann, Mark Young, Chris Edwards, John Kinsella, Gig Ryan, Jordie Albiston, Ken Bolton, Michael Farrell, Chris Mann (recently deceased), Francesca Jurate Sasnaitis, Cecilia White and so many others.

Read the full review here

—Javant BiarujiaLive Encounters

between wind and water (in a vulnerable place) is approximately eighty pages of activism in poetic form. The emotional intensity is high throughout and its underpinnings fairly naked. After or while reading this book you can’t help wanting to march vigorously in a demonstration or organise a protest.

Read the full review: https://plumwoodmountain.com/jane-joritz-nakagawa-reviews-between-wind-and-water-by-berni-m-janssen-ada-unseen-by-frances-presley-and-fate-news-by-norma-cole/

—Jane Joritz-Nakagawa, Plumwood Mountain