Making Trouble (Tongued with Fire): An Imagined History of Harriet Elphinstone Dick and Alice C. Moon

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Sue Ingleton

In the cold winter of 1875, two rebellious spirits travel from the pale sunlight of England to the raw heat of Australia. Harriet Rowell (age 23) and Alice Moon (age 20) were champion swimmers in a time when women didn’t go into the sea; they were athletic and strong in a time when women believed men who told them if they didn’t bind their bodies in whalebone corsets they would fall over or ruin their childbearing purpose; and they were in love in a time when many women were in love with each other but held such love secretly, for fear of retribution.

In Australia, they will achieve their freedom and create a path for others to follow. With Alice’s wealth, they open a Women’s Gymnasium and begin to teach mothers and daughters how to be strong; daring them to throw off the shackles of fashion and social laws that bind their natural female bodies and minds. With courageous defiance and rebellious natures, Harriet and Alice take on the world at a dangerous time for women’s freedom of expression.

Love ends. Alice breaks free from Harriet’s life and pursues her own destiny with new friends, as an author living in Sydney. Harriet, rejected and in despair, sells up and futilely follows her and thus, while struggling to come to terms with their painful separation, tragedy strikes. Alice, who all her life has laughed in the face of death and danger, is found dead in her bed. She is 37. Thrown into turmoil, her female friends build a wall of silence around the shocking death. Their suspicions rest upon the powerful, chauvinistic scientist, John McGarvie Smith with whom Alice had been working in her newfound capacity as a journalist. They leave a public accusation on her gravestone, a clue for a future woman to bring justice. I am that woman.

2019 | ISBN 9781925581713 | Paperback | 234 x 153 mm | 276 pp

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Table of Contents

Prologue, Why Me?

  1. Cheltenham, Melbourne, 1902

  2. Brighton Beach, England, 1860

  3. The West Pier, Brighton, 1869

  4. A Visit, The Steine, 1869

  5. Friendship, Brighton, 1871

  6. Lovers, Brighton, 1874-1875

  7. The Challenge, Brighton, 1875

  8. Harriet Elphinstone Dick, Brighton, 1875

  9. Leaving Home, Brighton to Gravesend

  10. Arriving, Melbourne, 1876

  11. A Home, Carlton, 1876

  12. Swimming, St Kilda, 1876

  13. Christmas Dinner, Carlton, 1876

  14. The Challenge, St Kilda, 1877

  15. A Return Visit to England, 1878-1879

  16. The Ladies Gymnasium, Melbourne, 1879

  17. Consolidation, Melbourne 1879-1880s

  18. Notoriety, Melbourne, 1882-1884

  19. The Tasmanian Connection Begins, Melbourne, 1881

  20. Watershed Moment, The Call of the Wild, 1884

  21. A Tree Change, Beaconsfield, 1883-84

  22. Tuesday Evening, April Fools Day, 1884

  23. The Train Wreck, Werribee, 1884

  24. Abbotsford, Thursday, 3rd April 1884

  25. The Steyne, Beaconsfield, 1883-87

  26. On the Road, Beaconsfield, 1886

  27. Under Pressure, Beaconsfield, 1886

  28. An Imagined Summer, Beaconsfield, 1887

  29. Alice’s Dream, Beaconsfield, 1887

  30. Alice Changes Direction, Melbourne, 1888

  31. Alice’s Restaurant, Melbourne, 1888

  32. Love Ends, Melbourne, 1889

  33. Goodbye Melbourne, Hello Sydney, 1890

  34. Harriet’s New Gymnasium, Sydney, 1893

  35. Afternoon Tea at Quong Tart’s Tearooms, Sydney, 1893

  36. Meeting John McGarvie Smith, Sydney, February 1894

  37. To Please a Man? Woollahra, 1894

  38. This Man Is the Very Devil. Sydney, 1894

  39. The Worst News in The World, Double Bay, 21 April 1894

  40. The Funeral, South Head Cemetery, 23 April 1894

  41. The Will, Double Bay, June 1894

  42. Revenge, ‘Lurlie’, July 1894

  43. Alone, Sydney, 1894

  44. Return, Melbourne, 1898-1902

Endnotes

Afterword - Who was John McGarvie Smith?

And what was his connection to the Anthrax vaccine?
Endnotes to Afterword


Reviews

Actor and comedian Sue Ingleton's "imagined" biography - there are few primary sources to draw on - reads like a hybrid of speculative biography, novel and a kind of turn-of-the-century piece of theatre, the author narrating their tale both to readers and an imagined audience. It's entertaining, informative and would make fun theatre. But serious themes are also addressed - the rise of early feminism - and there's a sting in the tale: Alice dying suddenly in suspicious circumstances at the age of 37, after the couple had split.

—Cameron Woodhead, SMH / The Age

Sue’s immersion in story-telling from every perspective, as actor, director, writer has transformed an historical footnote into a wonderfully vivid book: Making Trouble: Tongued with Fire – an imagined history of the two women. Drawing on fact and years of research, as well as her very pronounced and sometimes pretty whacky instinct, Sue has been able to transform the findings of her obsessive sleuthing: official records, newspaper clippings, odd photographs and so on, into a narrative filled with great dialogue and vibrant scenes that one can picture effortlessly through her vivacious command of language and very skilled understanding of how to hold an audience – or reader – captive. With her customary wit, a beguilingly fluent historical literary style, a great command of description and an ability to free fact into fully winged fancy, I think Sue has probably come closer to the truth of these women than she could ever prove. By incorporating the sensibilities of the time they lived, with their imagined individual yearnings, triumphs, flaws, indiscretions and powerful convictions, they become three dimensional protagonists who carry the past to us. And it helps that Sue –unlike many male historians – is unafraid to draw down on her own her own experience and sensibility, and her femininity, to make them live. If it weren’t for this unconventional freedom, Harriet and Alice would remain footnotes. Sometimes it takes an imagination to free history and invigorate it for the present. But such a tactic is courageous. Luckily, Sue is brave in everything she tackles.

—Joanna Murray-Smith, playwright, Launch

FOUR STARS. I was fascinated by this story of two little known women who made such great inroads into women’s health and fitness and also women’s rights in Australia. The author narrates the story more like a fictional tale than a biography bringing the reader right into the home, and daily life, of these women. ...Recommended for anyone who is interested in learning more about the women who pioneered our health and fitness regime and pushed for women’s rights. Read the full review here.

—Veronica Joy, The Burgeoning Bookshelf